SermonsGandhi

Our Great Southern Civil Rights/Visiting Friends Tour, Part IV

Atlanta—February 26, 2020

The most cynically overused quote by Martin Luther King. At the Martin Luther King National Historic Park in Atlanta.

From Clemson, we drove to Atlanta, where we stayed with our friend Billie and spent a couple of dinners visiting with her daughter Stephanie.

Billie, left, and Stephanie, right. They are the mother and sister, respectively, of our friend Jalil Muntaqim. Jalil was released in October 2020 and lived with us for seven months afterward. I didn’t write about it, because we all thought it best for him to keep a low profile. Maybe when he finishes parole, I’ll have more to say. But you can check this out
in the meantime.

We did not see all the Civil Rights History-related sites in Atlanta; that would have taken a week. But we figured learning what it was like for Billie and Stephanie to be the only black family living in Skyline, Utah was living Civil Rights history. Also, waiting almost fifty years for their Black Panther son and brother, whose trial the FBI meddled with, to get out of prison counts, I think.

We confined our official civil rights touring to the Martin Luther King National Historic Park one afternoon. Ebenezer Baptist Church, his childhood home, MLK and Coretta Scott King’s tomb, and other significant landmarks all lie within the boundaries of this park.

We noticed that all the historic landmarks and the interpretive center were closed due to Covid, but for some reason, the gift shops at each place were open.

These engraved quotations by MLK Jr were harder to read in person than they are here because I upped the contrast a whole lot when I edited the photos.
Gandhi’s teachings on nonviolence. I’ve kind of gone off Gandi because of Arundhati Roy and my former work supervisor from Meghalaya, India. The real hero who took on the caste system was Bhimrao Ramji Ambedkar, they say.
The Martin Luther King “I have a dream” World Peace Rose Garden, which contains reflections by children on the speech. See lower middle square. Given the most recent war in Gaza, I was particularly moved by the poems by Gazan children.
We weren’t allowed to go into Ebenezer Baptist, but I bought a couple of fans with a picture of Martin and Coretta looking like newlyweds at the gift shop. I look forward to using them this summer
Coretta Scott King, laying down some truth.
Martin Luther and Coretta Scott King probably have the most beautiful final resting place ever.
MLK’s birthplace, home while he pastored Ebenezer, and a typical architectural style in the neighborhood–all very close together.
Walking in the footprints of the faithful witnesses who came before me I learned that Congressman John Lewis had big feet for a small man; Bishop Desmond Tutu and I had the same shoe size, and no way am I going to stwith wwwep on Maxine Waters’ footprints!

I found it hard to leave Billie, currently spitting Stage 4 cancer in the facewith great joie de vivre. Thinking about coming back in the summer.

Why the cover of Because the Angels looks the way it does

I am nothing but thrilled by Davey R. Jones’ Amazon review mentioned in my previous blog post. I mean, “Most Surprisingly Good Read of the Decade?” Last night I went through the last 40 of his 81 reviews on Amazon, and mine was the only self-published novel that he had reviewed at all. So what follows should not be interpreted as a criticism of him, or of Taylor Ramage, one of its earliest reviewers who wrote, “Because the Angels is a classic example of why you shouldn’t judge a book by its cover (or its layout, for that matter). Although it’s very sweet that the author’s family got involved in the design process, it’s honestly not too impressive.”

They did not like the cover. In fact, I think I could posit a mathematical theorem based on the titles of their reviews: Taylor titled her review, “Because the Angels: What Christian Fiction Should Really Aim For.” ∴ Grandiose praise of Because the Angels in review titles is in inverse proportion to the reviewer’s regard for the cover design.

imagesSo why did I choose to have the cover look the way it did? Well, my novel heavily featured the anime series Blood+, so in my writer’s fantasy, an editor would be bowled over by the novel’s unique concept, of course, and consult me about the cover design. I would suggest that they contact the production company that owns the copyright to Blood+ and get permission to have the main character, Saya, slashing through a collage of photos representing the Iraq War (blood, explosions, Abu Ghraib, etc.) with her sword.

This event did not happen, so I thought about getting a picture of a samurai girl—as a nod to Samurai Champloo, also featured heavily in the novel—doing the same thing. My brother mentioned that my niece was a member of her anime club at school and liked to draw anime characters. That took me on another train of thought. Spike and Marcus, two of the main protagonists, are writing cut-above average fan fiction based on Samurai Champloo into which their anxieties for Spike’s kidnapped sister Margie subconsciously intrude and that eventually gets turned into a trashy fantasy novel. I thought having a somewhat amateurish drawing of a samurai girl against the background mentioned above might actually be in keeping with that subplot. As it happens, my sister-in-law is a professional graphic designer. If you see this ubiquitous Minted.com design all over the web, that’s her:
MIN-7V5-INV-001_A_PD

because-the-angelsShe took my idea and designed a much more understated background, which I realized was a better choice, but when I said, “Could you put Gandhi heads on the samurai’s kimono?” (Margie, the hostage, is fully committed to nonviolence.) My sister-in-law said, “Sure.”

I had wanted the samurai figure to be wearing sneakers, but neither my niece nor my sister-in-law could get the feet right; hence, the explosion.

But overall, I am still pleased with the result. If the book is ever picked up by a another publisher and they say they want a different design, I will be open to that, of course, but for now, as an indie author, I can only be grateful to have artists, professional and amateur in my family, who listened to my ideas for the cover and for independent reviewers who liked my book—and also didn’t charge me.