SermonsIraq War

Goodbye to my column

In 1998, Paul Schrag from the Mennonite Weekly Review called me and asked if I would be interested in taking over the “World Neighbors” column from Willard Unruh.  Every month since that time, I have written a column about countries on five different continents.

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I think doing so made me a better writer.  I found that I actually liked it when I was about twenty to thirty words over the limit, because cutting out those words invariably made the column tighter and stronger (Paul told me once that my columns were hard to cut, because I didn’t leave surplus words.)  I also enjoyed doing deeper research into regions that were in the news, and liked to look for the “behind the scenes” stories.  Once I had easy access to the internet (I take it for granted now, but I began this column at a time when I needed to go to the library to do web research) I would google “Mennonite” and the country involved to find out what Mennonite missionaries and aid and development workers were saying about political crises on the ground.  Then, I would look for other alternative news sources that were covering aspects of the story that the mainstream media was not.  (I remember once, in the buildup to the Iraq War, writing my column on Donald Rumsfeld’s friendly relations with Saddam Hussein in the 1980s.  After I sent it in, it turned out to be Newsweek’s cover story for the week.  When I wrote that I was bummed Newsweek had scooped me to assistant editor, Robert Rhodes, he said something along the lines of, “Don’t worry; no one reads that rag.”)

During the first week in December, I was at Evangelicals for Social Action conference, where I learned that Israeli authorities had just denied entry to one of my colleagues into Palestine.  I was also feeling anxious about my own entry, wondering whether Israeli authorities would give me a hard time because I had just left the country six weeks earlier in October.  And I was agonizing over a contest I had entered my novel, The Price We Paid, in, hoping in an almost sickening way that it would bring the manuscript to the attention of an agent.

Then I got the e-mail.  When the Mennonite Weekly Review had become the Mennonite World Review, I had been informed that my column would now be shared with two other people and I would thus be writing only three times a year.  This e-mail informed me that some plural entity had decided that World Neighbors needed a more “consistent voice” and they were asking another person to write it.

My first reaction was more annoyance than anything else.  My column had been taken from Willard Unruh and given to me (and I could tell from his final column that he had been a little hurt by it.) The editor could have just told me that he thought it was time for someone else to write it.  In a follow-up e-mail, he told me that he was trying to be diplomatic and that at fifteen years, I had been the longest running columnist in the history of the Mennonite Weekly/World Review.  And although I thought “diplomatic” was not the right word at all, the follow-up e-mail did make me feel better.ada91b0e4a970a7f023524.L._SX80_

The Mennonite Weekly Review giveth and the Mennonite World Review taketh away. Blessed be the Mennonite World Review.

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Why the cover of Because the Angels looks the way it does

I am nothing but thrilled by Davey R. Jones’ Amazon review mentioned in my previous blog post. I mean, “Most Surprisingly Good Read of the Decade?” Last night I went through the last 40 of his 81 reviews on Amazon, and mine was the only self-published novel that he had reviewed at all. So what follows should not be interpreted as a criticism of him, or of Taylor Ramage, one of its earliest reviewers who wrote, “Because the Angels is a classic example of why you shouldn’t judge a book by its cover (or its layout, for that matter). Although it’s very sweet that the author’s family got involved in the design process, it’s honestly not too impressive.”

They did not like the cover. In fact, I think I could posit a mathematical theorem based on the titles of their reviews: Taylor titled her review, “Because the Angels: What Christian Fiction Should Really Aim For.” ∴ Grandiose praise of Because the Angels in review titles is in inverse proportion to the reviewer’s regard for the cover design.

imagesSo why did I choose to have the cover look the way it did? Well, my novel heavily featured the anime series Blood+, so in my writer’s fantasy, an editor would be bowled over by the novel’s unique concept, of course, and consult me about the cover design. I would suggest that they contact the production company that owns the copyright to Blood+ and get permission to have the main character, Saya, slashing through a collage of photos representing the Iraq War (blood, explosions, Abu Ghraib, etc.) with her sword.

This event did not happen, so I thought about getting a picture of a samurai girl—as a nod to Samurai Champloo, also featured heavily in the novel—doing the same thing. My brother mentioned that my niece was a member of her anime club at school and liked to draw anime characters. That took me on another train of thought. Spike and Marcus, two of the main protagonists, are writing cut-above average fan fiction based on Samurai Champloo into which their anxieties for Spike’s kidnapped sister Margie subconsciously intrude and that eventually gets turned into a trashy fantasy novel. I thought having a somewhat amateurish drawing of a samurai girl against the background mentioned above might actually be in keeping with that subplot. As it happens, my sister-in-law is a professional graphic designer. If you see this ubiquitous Minted.com design all over the web, that’s her:
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because-the-angelsShe took my idea and designed a much more understated background, which I realized was a better choice, but when I said, “Could you put Gandhi heads on the samurai’s kimono?” (Margie, the hostage, is fully committed to nonviolence.) My sister-in-law said, “Sure.”

I had wanted the samurai figure to be wearing sneakers, but neither my niece nor my sister-in-law could get the feet right; hence, the explosion.

But overall, I am still pleased with the result. If the book is ever picked up by a another publisher and they say they want a different design, I will be open to that, of course, but for now, as an indie author, I can only be grateful to have artists, professional and amateur in my family, who listened to my ideas for the cover and for independent reviewers who liked my book—and also didn’t charge me.