I find myself doing double takes with NBC’s new show Constantine, as in, “Did they really just say that on network TV in the 21st century?” In the November 2 episode, which featured a Romani woman, who basically cast spells because her marriage hopes were disappointed, the protagonist, Constantine actually says, “There’s nothing blacker than gypsy magic.” Pick the racism you want to deconstruct there.
And then on November 21, we had the Haitian Vodou priest.
Now, I have never seen a U.S. popular culture depiction of Vodou that was not racist—and completely divorced from the reality of what Vodou is. I worked with Christian Peacemaker Teams in Haiti 1993-94 and I knew rightwing practitioners working for the coup regime and practitioners that were all about social justice—basically the same spectrum that practitioners of Christianity fall into. Vodou/Vodoun and its historic connection to African religions is way too rich and complex for me to get into here, but I can tell you what it does NOT involve. It does NOT involve Haitian Vodou priests killing their sisters so they can communicate easily with the spirits of the underworld. Look it up on Wikipedia.
Yet, this is what the Papa Midnite character, with whom Constantine works in the November 21 episode, has done. Actually, in the episode Constantine accused Papa Midnite of having done something nefarious to his sister, and a little bit later, Papa Midnite was addressing a skull with braids as his sister, and it took me a minute to put the two together.
With Police Officer Darren Wilson’s testimony that unarmed black teenager Michael Brown looked like a “demon” when he shot him in Ferguson last July, this sort of supernatural stereotyping has real dangers for our society. Thank goodness last Friday’s episode featured possessed axe murderers that were all white children.
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