Kathleen Kern Author

Why aren’t the COINTELPRO prisoners free already? My visit with Jalil Muntaqim in Attica

UPDATE:  We learned on the morning of June 25, 2014 that Jalil was turned down for parole yet again.  He wrote to me and my husband that there had been one sympathetic person on the parole board, but she must have failed to convince one of the other two people.   I feel so sad, because I know from letters he wrote to me and my husband that he had allowed himself to hope.

Attica prisoner from COINTELPRO era to face eighth parole hearing in June

The release of Betty Medsger’s book The Burglary this winter51XfdlEUf4L._SY344_PJlook-inside-v2,TopRight,1,0_SH20_BO1,204,203,200_ once again drew attention to the conspiracies of COINTELPRO, a program devised by J. Edgar Hoover’s FBI that sought to discredit and destabilize minority empowerment and self-defense groups like the NAACP, Black Panthers and American Indian Movement— sometimes to the point of assassinating members of their leadership.
The false evidence and prosecutorial misconduct used to convict high profile COINTELPRO prisoners such as Leonard Peltier is a matter of public record. But J. Edgar Hoover’s FBI also framed dozens of lesser known individuals such as Attica inmate Jalil Muntaqim (formerly Anthony Bottom) who, like Peltier, are still in jail decades after the Church Committee held hearings in 1975 exposing this misconduct.

I had the opportunity to meet Mr. Muntaqim on April 9, 2014 at Attica State Prison. The problem with the Church Committee hearings, he told me, was that they never proposed a remedy for the activists imprisoned by the unethical conduct of the law enforcement officers during the COINTELPRO years.

Among the irregularities in his own prosecution for the murder of two police officers in 1971 included a colleague tortured with a cattle prod and needles in his testicles to get him to testify against Muntaqim and Herman Bell both of whom were convicted of the killings. When he told the judge he was testifying only because of torture, the judge informed the prosecutor that the witness had revealed this information to him, but did not share the information with the defense. Muntaqim also knows that tapes exist of Hoover, Nixon, H.R. Haldemann, John Ehrlichman, and Mark Felt (of Watergate’s Deep Throat fame) deciding to solve the shootings of the police officers (under the code name NewKill) by setting up Muntaqim and his codefendants, but his lawyer has not been granted access to those tapes. During his trial, ballistics expert George Simmons matched a gun that Muntaqim had carried in California to the bullet that killed the police officers and testified that he was the only person who had examined this ballistics evidence. Years later, Muntaqim’s defense team found out that an FBI ballistics expert had examined the gun and the bullet and determined they were not a match. This information was also withheld from the defense. In the 1980s, three months after Muntaqim’s lawyer filed a petition for a new trial based on this new evidence, someone removed the gun and the ballistics report from the locker in New York where they had been stored.

The parole board, largely made up of ex-law enforcement personnel, has denied Jalil Muntaqim parole seven times. The first six times, they did so because he did not express remorse (this stipulation is a glitch in the system for all who take plea bargains to avoid the hazards or costs of a trial or prisoners who are wrongly convicted: they must express remorse for crimes they did not commit.) For the seventh time, because his eighty-year-old mother wants so much for the whole family to sit down for a meal together before she dies, he decided to say, “Okay, I did it,” and express remorse. The parole board then denied him parole because he had lied about committing the crime the previous six times.

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Jalil Muntaqim has another parole hearing coming up in June. He has 750 letters testifying to his good character and his rehabilitation. Included among those is a letter from the family of one of the slain police officers who wrote of Muntaqim and Herman Bell, “If they did it, we forgive them. But we have serious concerns about whether they are the ones.” Muntaqim will argue the precedent set by Silman v. Travis that if remorse and rehabilitation are the only relevant factors for a parole board to make decision regarding his release, the members of the board cannot make up reasons to keep him in jail.

Aside from wanting to grant his mother’s wish, he also thinks he could do more on the outside to keep young people out of jail. “I’m wasted here,” he told me. “I feel like I’m that Dutch boy with all ten fingers and toes in the dike.”

From a justice perspective, however, Mr. Muntaqim’s plans for the future are beside the point. The FBI’s COINTELPRO program was a stain on our constitution and disreputable era in our law enforcement history. The people it sent to prison should be set free.

Kathleen Kern, from Rochester, NY has worked for the human rights organization Christian Peacemaker Teams since 1993, serving on assignments—and advocating for political prisoners—in Haiti, Israel, Palestine, Mexico, Colombia, Iraqi Kurdistan, the U.S. and Canada.

 

 

Visit to Attica State Prison aka “Correctional Facility”

Winter photo of the entrance to Attica State Prison. Three flags are at half mast. The asphalt drive is wet.  A light frosting of snow lies on the grass, bushes and cars.
Post is from Wikimedia Commons: Jayu from Harrisburg, PA, U.S.A.

My husband and I are perhaps the only couple I know who would work a trip to Attica Correctional Facility into a romantic weekend getaway. But we did. I’ll be writing more about our visit with Jalil Muntaqim this week. Jalil—like Leonard Peltier, Martin Luther King, and members of other minority empowerment and antiwar groups—was the target of J. Edgar Hoover’s vivious COINTELPRO campaign that came to light in the 1970s.

But I thought for now I’d just jot down a few impressions of our visit to Attica, which looks something like a castle with its turrets, parapets and ramparts. Michael and I got there around 10:30, bringing with us our drivers licenses and the car key—the only items visitors are allowed to take inside the prison. We filled out information slips with rubbery pens about 3” long—made so they could not be weaponized, I guess. But when we got inside with the actual prisoners they laid out pencils for us to use, so I could have gotten all stabby with those menacing lead points, if I had wanted to.)

We sat in the outside waiting room with families who were talking with each other in subdued conversations. A nurse who said she usually keeps to herself told us the guards were behaving disrespectfully that day.  They were making the people wait outside the gate, while they schmoozed and laughed with each other. Once we were inside and I watched families, friends, and loved ones talking and cuddling with prisoners, I understood how precious that time was to them, and that this time was dispensed entirely at the whims of the guards.

This is the outfit I was wearing when I was deemed too alluring for Attica, oversized baggy pants, a two-part attached long-sleeve yellow shirt, and a fleece vest, which is open in the picture.
This is the outfit I, a woman in my forties, was wearing when I was deemed too alluring for Attica.

When the guards called Jalil’s name (the name before he became a Muslim, “Anthony Bottom,”), Michael and I came forward to be processed. A female guard informed me that my shirt was too revealing, and I would have to go to a dollar store and buy something else. I said I could zip up the vest I was wearing, but she told me I could not be trusted to do that while I was in the visiting room. Fortunately, since we had planned to go to a bed and breakfast afterwards, Michael had an extra shirt in his car.

I took the car keys, turned to the others in the waiting room and said, “Guess I’m too slutty for Attica,” and walked out. Later, one young woman who had burst out laughing when I said this, was told her fashionably ripped jeans and striped sweater were too tight. As it happens, the nurse we talked to earlier was wearing the same shirt, showing much more cleavage and they let her in. I wondered if they were punishing the other woman because she laughed. I also wondered what sort of business the dollar store did selling clothes to people who arrived wearing the wrong ones, and what people did who came to see family members on the bus from New York City, who didn’t have a car to make the quick three mile trip to the dollar store to appease the arbiters of suitable prison visitor attire.

By the time we actually got to the visiting room, and Jalil was released to come meet with us, it was 12:30—two hours after we had arrived. At one point, Michael went to the vending machines to buy some lunch and Jalil asked me what I saw when I looked around at the other tables. I told him I was surprised by how much love I saw in the smiling people around us. “I mean,” I said, “I’m sure there’s also a lot of family dysfunction, here, too.” He laughed. “You think?” he said. “Yeah,” I said, “but they’re still here. They want to be together. Some of these people have been physically holding on to each other for hours.”

“Yeah,” he said. “These families have sacrificed a lot to be here.”

Robert De Niro on Writers at the 2014 Oscars

When we watched Robert De Niro present the Best Screenplay award at the Oscars on the DVR this morning and he said the following, I looked over at my husband, who was grinning. “I’m not saying anything,” he told me.

“The mind of a writer can be a truly terrifying thing. Isolated, neurotic, caffeine-addled, crippled by procrastination and consumed by feelings of panic, self-loathing and soul-crushing inadequacy. And that’s on a good day.”

AAARGH! I can’t believe I missed the Bellwether Prize deadline!

Probably the biggest “triumph” of my literary career was my selection as a finalist inpeanuts-aargh-baseball Barbara Kingsolver’s Bellwether Prize a decade or so ago.  The prize has since morphed into the PEN/Bellwether Prize for Socially Engaged Fiction.  That, dear reader, is the fiction that I write.  So far, it is the only fiction that I know how to write, the only fiction that emerges from that deep compelling place, the stories that push and butt inside me until my only choices are to write them or become mentally ill.

My second novel, Because the Angels, at 50,000 words ended up being too short for the Bellwether Prize, and I was sad about it, but I didn’t really grieve for long, because the novel was really as long as it was supposed to be, and I thought that by the next time the Bellwether Prize rolled around, I would have another novel ready.

And it was, and I missed the deadline.  And I missed the deadline because I was working with my human rights organization in Hebron for the month of October and mid-December through mid-February, so I didn’t see the Poets and Writers listing.  But really, that’s no excuse.  If I had been wanting to submit this novel for the Bellwether Prize, I should have been paying attention to the deadline, and I didn’t and now it’s too late.

AAAAARGH! Stupid! Stupid! Stupid!

I am trying not to lapse into magical thinking about this, as writers are wont to do.  You know, like, “Well maybe God wanted me to miss this opportunity, so that the novel will have more of an impact in another situation.”  (I confess I had plans involving clemency for Leonard Peltier.) Or “Just you wait writer-friend-who-didn’t-like-it; Ms. SuperAgent was thrilled to pull it out of the slush pile and is already optioning it off to Hollywood.”

As a spiritual discipline, I keep telling myself that neither God nor the publishing world owes me a thing.

But I also need something to keep me away from the spiral of self-loathing.  The fact that my novel might very well not have sold in another two years and I can enter it then?  Not super comforting.  That the next one I’m beginning work on might be better?  At this point it’s in such nebulous shape–in my head and a collection of notes, I have no way of knowing how good it’s going to be—it hasn’t reached the place that my other three did where everything begins to click.

I do pray that God will use my novels for good.  Since they have secular as well as religious characters and some of those characters use profanity and follow sexual mores frowned upon by most religious publishers (and I’m pretty much fine with them the way they are), I know that some people might think that strange.  But it’s true.  I really do want God to use what I write to transform situations of oppression and sadness.  I guess that prayer is the only comfort I have; it’s something I can do.

But still, AAAAARRRRRGH!  (Really there’s nothing I can do.)

*******

In January, I wrote a Facebook post about my grief over losing Pete Seeger and the wise comments of a colleague (a young Palestinian woman from Ramallah who had never heard of him) about why I was grieving.  I felt a little “smiley hurt” reading an article in the February issue of Rolling Stone, that echoed her comments

Mikal Gilmore referred to Seeger singing at Barack Obama’s inauguration this verse from “This Land is Your Land”:

Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.

That moment heartened many of us, perhaps discomfited others, but both reactions were validations: Pete Seeger was finally singing to all of America as its redeemed native son, as a loved and revered hero. The day he died, we immediately understood, we’d never see anybody like him again.

For those interested, I also wrote a blog post about Seeger in January: http://www.kathleenkern.net/human-rights/hearing-about-pete-seeger-in-palestine/

 

 

 

 

Goodbye to my column

In 1998, Paul Schrag from the Mennonite Weekly Review called me and asked if I would be interested in taking over the “World Neighbors” column from Willard Unruh.  Every month since that time, I have written a column about countries on five different continents.

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I think doing so made me a better writer.  I found that I actually liked it when I was about twenty to thirty words over the limit, because cutting out those words invariably made the column tighter and stronger (Paul told me once that my columns were hard to cut, because I didn’t leave surplus words.)  I also enjoyed doing deeper research into regions that were in the news, and liked to look for the “behind the scenes” stories.  Once I had easy access to the internet (I take it for granted now, but I began this column at a time when I needed to go to the library to do web research) I would google “Mennonite” and the country involved to find out what Mennonite missionaries and aid and development workers were saying about political crises on the ground.  Then, I would look for other alternative news sources that were covering aspects of the story that the mainstream media was not.  (I remember once, in the buildup to the Iraq War, writing my column on Donald Rumsfeld’s friendly relations with Saddam Hussein in the 1980s.  After I sent it in, it turned out to be Newsweek’s cover story for the week.  When I wrote that I was bummed Newsweek had scooped me to assistant editor, Robert Rhodes, he said something along the lines of, “Don’t worry; no one reads that rag.”)

During the first week in December, I was at Evangelicals for Social Action conference, where I learned that Israeli authorities had just denied entry to one of my colleagues into Palestine.  I was also feeling anxious about my own entry, wondering whether Israeli authorities would give me a hard time because I had just left the country six weeks earlier in October.  And I was agonizing over a contest I had entered my novel, The Price We Paid, in, hoping in an almost sickening way that it would bring the manuscript to the attention of an agent.

Then I got the e-mail.  When the Mennonite Weekly Review had become the Mennonite World Review, I had been informed that my column would now be shared with two other people and I would thus be writing only three times a year.  This e-mail informed me that some plural entity had decided that World Neighbors needed a more “consistent voice” and they were asking another person to write it.

My first reaction was more annoyance than anything else.  My column had been taken from Willard Unruh and given to me (and I could tell from his final column that he had been a little hurt by it.) The editor could have just told me that he thought it was time for someone else to write it.  In a follow-up e-mail, he told me that he was trying to be diplomatic and that at fifteen years, I had been the longest running columnist in the history of the Mennonite Weekly/World Review.  And although I thought “diplomatic” was not the right word at all, the follow-up e-mail did make me feel better.ada91b0e4a970a7f023524.L._SX80_

The Mennonite Weekly Review giveth and the Mennonite World Review taketh away. Blessed be the Mennonite World Review.

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The Selfish Writer, #Pitchwars, #Pitchmas, and Yes My Novel is Not the Center of the Universe

Most people, if asked to describe me, would not choose “selfish” as one of their first adjectives.  Working for a human rights organization gives one an altruistic sheen, not always deserved, or not completely anyway.  Most human rights workers, honest ones, will readily come up with a list of less altruistic reasons they do the work they do.  They thought it sounded it like an interesting thing to do for a few years before their “real” careers began; they had friends doing the work; they like to travel;  human rights workers are hilarious and often fun to be around (it’s true!)

And then there are the human rights people who are working out “issues” that I won’t go into here.

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Hajji Hussein (with child on lap) was a political prisoner for whom CPT’s Iraqi Kurdistan team advocated. He was freed right after an Urgent Action e-mail Campaign we sent out on CPTnet. And right after #Pitchwars. Yes. Hajji Hussein’s freedom was really more important. Really.

I’m writing this entry because I’ve been really conscious over the last couple weeks of how my attention has NOT been focused on the needs of the people my organization serves, nor on the people near and dear to me.  Pretty much, all I have been able to think about is getting my novel noticed by an agent.

It all started with the #Pitchwars contest.  The premise of the contest is that “mentors”—agented authors, agents’ assistants or other people who have connections in the literary world, read the query letters and the first five pages of the novel that the authors are submitting to the contest and choose one author and two alternates to mentor.  Then they read the entire manuscript and help the author sharpen both the manuscript and query for submission to an agent.

I got a mentor interested in my submission based on our shared interest in Joss Whedon, although she was upfront about it being outside her genre, and I began obsessively following the #Pitchwars Twitterfeed to watch her and the other three agents to whom I submitted discussing the entries.  Now, I was getting ready to leave the country for another two-month assignment with Christian Peacemaker Teams (CPT); I needed to get my three substitute editors situated to take over CPTnet while I was gone; CPT was doing its end of the year fundraising push.  I was very conscious that my mind needed to focus on other things.

I think it was at the meeting of my church’s Pastoral Ministry committee when we were discussing the needs of people in my church that I felt the most selfish.  The other three people on the committee were discussing these needs–some of them pretty dire–and I realized I hadn’t really been giving them any thought, because I so very, very passionately want my novel–The Price We Paid, formerly Shea–to be published.  And this #Pitchwars contest had given me hope that a little mentoring might get me there.

With a little distance now, I know it was a good experience.  I am still surprised by how approachable the mentors were to unpublished authors with questions and how much time they put into their responses to the people they chose not to mentor.  I think I realized later that the contest was not for literary fiction, and hence, not the best venue for my novel.  I don’t mean that in a snobbish sense, but in the sense that the mentors who were critiquing adult fiction had a background in commercial and genre fiction.  The mentors who commented said I should look for agents who represented literary fiction.

I also got good ideas for sharpening my query.  For example, I think I’m going to have to cut out the Hosea and Gomer reference from all future queries, which hurts a little, since Hosea’s love life was the epiphany that led to the novel.  But in my last conversation with Jim Loney, who is taking over CPTnet part of the time when I’m gone, he told me he had forgotten the connection the novel had with the biblical story, and he’s one of the novel’s strongest advocates.

Right before I left, I did a 35 word pitch for the novel in #Pitchmas, knowing I’d be in Hebron when the “Winners” were announced (75 pitches get posted on a blog.  Agents pick from among the pitches.)  Usually, when I’m on assignment, the work has a way of engaging most of my attention, so I’m hoping the Twitter feed won’t take up as much of my time (our Hebron apartment has spotty internet, anyway.)

Years ago, when I got a fellowship to workshop my first novel manuscript with Lee K. Abbott, based on the first chapter I submitted, he asked if I had completed the novel.  Upon learning I had, he said the good news was that most aspiring writers never do that.  The bad news was that I would probably have to write five before I got published.  And I do have the beginnings of a fourth beginning to inkle about in my brain.

But I am not finished with The Price We Paid.  Apart from all the ignoble reasons I want it published, I believe in it; I believe it has a life and that I am supposed to advocate for that life.  I just wish I were a better promoter.

UPDATE: My Twitter Pitch ( “A” stands for “Adult”) was not chosen for the 75  “Pitchmas” pitches: “A/ Literary Dystopian Iz cheats on his wife but also helps her bring down corrupt religious regime that rules U.S. during 2065-2089 #Pitchmas”  Again, I’m not sure literary novels lend themselves to Twitter-length pitches.

 

#Pitchwars Mentee Bio

markieand tank blogI have to write about 100 tweets today for my organization Christian Peacemaker Team’s #GivingTuesday campaign and I’m leaving town tomorrow to speak at a conference, so I’m kinda going to cheat by just pasting in a short bio from the first page of my blog:

Author Kathleen Kern has worked as a human rights advocate with Christian Peacemaker Teams (CPT) since 1993, serving on assignments in Haiti, Washington, DC, Palestine, Colombia, Democratic Republic of Congo, and with indigenous nations in the U.S. and Mexico. She has authored two histories of CPT– In Harm’s Way: A History of Christian Peacemaker Teams (Cascade 2009); As Resident Aliens: Christian Peacemaker Teams in the West Bank, 1995-2005 (Cascade 2010)–and her work has appeared in Tikkun, The Christian Century, and The Baltimore Sun. Her first novel, Where Such Unmaking Reigns, was selected as a finalist for Barbara Kingsolver’s Bellwether Prize.

If you go to the first page of my blog,you’ll see that people said some nice things about my Indie novel Because the Angels.  In addition to my @KathleenKern Twitter account, which reflects the mishmash of my writing and political life, I have an @FakeNovelPitch Twitter account, which, well, is like this:

  1. SciFi genre: In future, #CyberMonday is day Hallmark makes people feel obligated to give cyborgs, robots gifts, cards

  2. #Fantasy genre: Nomadic elves and dwarves battle over sacred campground before they erect their tents in #Pitchwars.

  3. #Dystopian: Big Corporation Sunday, to follow #SmallBusinessSaturday declared legal holiday. Citizens forced to shop.

  4. #Sportsfiction genre: Suzie perfects her metacarpal ball preparing to take on the Big League pitchers in #Pitchwars.

  5. #GraphicNovel: Scabby the Rat infects Chicago w/plague of lethal psoriasis. Will hospital workers unionize in time?

  6. #PoliticalThriller: Journalist Ace Tabby uncovers crypto-nazi from #PopcornTheTurkey‘s past; code name: Ayatollah Ebola

  7. #PoliticalThriller: Evil genius, #PopcorntheTurkey, leaks false intelligence that nuclear weapons cache found in Iran.

  8. #Dystopian genre: #Zombieapocalypse averted; Zombies lose all sense of meaning for their unlives; must enter therapy.

  9. #PsychThriller: Svengali behind #MileyCyrus personality change turns out to be pardoned sociopathic turkey Popcorn.

    I do take submissions for Fake Novel Pitches, by the way.  Rules are, you have to leave 21 characters for retweeting (that way, you get the credit); they can’t be racist, homophobic, sexist, etc.; absurd is good, and publication is entirely according to my whim.

RCMP attack on anti-fracking blockade in Elsipogtog

Below is the original version of my November column for Mennonite World Review.  The edited version is available here.

On October 17, shortly before CPT’s Hebron team sat down to dinner, I checked my Twitter feed.  I saw that something was happening in Elsipogtog—a community in Maritime Canada that CPT’s Aboriginal Justice team is accompanying as it resists fracking by SWN Resources on its traditional lands.  When I checked the #Elsipogtog hashtag, hundreds of comments began streaming out about arrests, snipers, rubber bullets, teargas, and vehicles on fire.  I realized that thousands of miles away in Occupied Palestine I was watching live, via Twitter, an attack by the Canadian police on the Elsipogtog blockade in New Brunswick.  And so as we sat down to eat, in the relative quiet of Hebron that evening, we prayed for Elsipogtog—and our tweets about the ongoing attack on the encampment were later retweeted by some of the Palestinian activists who follow the Hebron team’s account.

The blurry red hat is being worn by one of my CPT colleagues.  The policeman with the attack dog was very unhappy about her videotaping him.

The blurry red hat is on the head of one of my CPT colleagues. The policeman with the attack dog is very unhappy about her videotaping him.

Because of the chaos caused by the attack, even now, some of its details are unclear, but what basically happened is this: Canadian police, some heavily armed and in military-style camouflage, arrested Chief Arren Sock and dozens of other protesters, while they ransacked the camp and dispersed protestors using teargas and rubber-coated metal bullets.  Some of the protestors responded by setting the police cars on fire and throwing things at the police.  What had been a nonviolent witness until that moment fell apart.

In the aftermath of the incident, the KAIROS coalition (of which MCC Canada is a member), Amnesty International Canada and the Canadian Friends Service Committee published an open letter to David Alward, the Premier of New Brunswick.  In the opening paragraph, the organizations noted, “it is our view that this clash could have been avoided had the province acted in a manner consistent with its obligations to respect the human rights of Indigenous peoples under Canadian and international law.”

The letter then highlights four areas in which the province of New Brunswick could do more to rebuild just relations with Indigenous peoples:

  1.    Acknowledge that Indigenous peoples have rights to their lands, territories, and resources that predate the creation of the Canadian state.  International human rights bodies, including the Inter-American Commission on Human Rights have repeatedly condemned Canada’s failure to protect these rights.
  2.   Stop ignoring the land rights of Aboriginal peoples in day-to-day operations of the government.  Canadian courts have decreed that governments must consult with Indigenous Peoples before making decisions that affect their rights.  “Accordingly,” the letter says, “our organizations urge your government to retract statements indicating that the province is already committed to shale gas development, regardless of opposition.”
  3.   Acknowledge that the province must obtain “free, prior and informed consent” (FPIC) of Indigenous peoples when a proposed project has the potential to affect their cultures, livelihoods, health, and well-being.  “Our organizations call on New Brunswick to acknowledge that shale gas exploration and development on or near the traditional lands of Indigenous peoples is clearly an example where the safeguard of free, prior and informed consent is appropriate and necessary.”
  4.  Deploy police with the understanding that they have a clear responsibility to respect and protect human rights, including the lives and safety of those involved in protests.  “Use of force must always be a last resort and the scale and nature of the force deployed must be in proportion to the need to protect public safety.”

“Unless the province adopts an approach consistent with these obligations, further clashes may occur,” the letter notes.

Chief Sock

Chief Sock

Chief Arren Sock released a written statement on October 18, saying “Chief and Council of the Elsipogtog First Nation wish to state clearly that guns and bombs, if any, have no place in our peaceful efforts.”  On October 21, Justice George Rideout denied the request by SWN Resources to extend its court injunction to prevent the Elsipogtog protesters from blocking its storage facility.  But on November 18, the activists suffered a setback when Judge Judy Clendenning dismissed an application from the Elsipogtog First Nation for an injunction to stop seismic testing for shale gas.The story is still unfolding, streaming, and tweeting.

Fraud email claiming others who send out fraud emails are frauds. Title: “STOP CONTACTING THEM.”

Got this in my e-mail yesterday.

Stop Contacting Them.

I am Mrs. Betty Rawlings, I am a US citizen, 48 years Old. I reside here in New Braunfels Texas. My residential address is as follows. 108 Crockett Court. Apt 303, New Braunfels Texas, United States, am thinking of relocating since I am now rich. I am one of those that took part in the Compensation in Nigeria many years ago and they refused to pay me, I had paid over $45,000 while in the US,trying to get my payment all to no avail.

So I decided to travel down to Nigeria with all my compensation documents,And I was directed to meet Barrister Harry Nelson  who is the member of COMPENSATION AWARD COMMITTEE, and I contacted him and he explained everything to me. He said whoever is contacting us through emails are fake.

Inheritence/Compensation Law which clearly states the beneficiary/recipient is exempt from paying any out of pocket fees or charges to receive said funds.

He took me to the paying bank for the claim of my Compensation payment. Right now I am the most happiest woman on earth because I have received my compensation funds of $15,000,000.00 (fifteen million dollars) Moreover, Barrister Harry Nelson ,  showed me the full information of those that are yet to receive their payments and I saw your name as one of the beneficiaries, and your email address, that is why I decided to email you to stop dealing with those people, they are not with your funds, they are only making money out of you.

I will advise you to contact Barrister Harry Nelson
You have to contact him directly on this information below.

COMPENSATION AWARD HOUSE

Name: Barrister Harry Nelson
Email: barristerharrynelson@aol.com

Listed below are the mafias and banks behind the non release of your funds that I managed to sneak out for your kind perusal.

1) Prof. Charles soludo
2) Senator David Mark
2) Micheal Edward
3) Chief Joseph Sanusi
3) Sanusi Lamido
4) Dr. R. Rasheed
5) Mr. David Koffi
6) Barrister Awele Ugorji
7) Mr. Roland Ngwa
8) Barrister Ucheuzo Williams
9) Mr. Ernest Chukwudi Obi
10) Dr. Patrick Aziza Deputy Governor – Policy / Board Member
11) Mr. Tunde Lemo Deputy Governor – Financial Sector Surveillance/Board Member
12) Mrs. W. D. A. Mshelia
Deputy Governor – Corporate Services / Board Members
13) Mrs. Okonjo Iweala
14) Mrs. Rita Ekwesili
15) Barr Jacob Onyema
16) Dr.. Godwin Oboh: Director Union Bank Of Nigeria.
17) Mr. John Collins: Global Diplomat Director.
18) Foreign fund diplomatic courier
19) Barr. Becky Owens
20) Rev. Steven Jones

You really have to stop dealing with those people that are contacting you and telling you that your fund is with them, it is not in anyway with them, they are only taking advantage of you and they will dry you up until you have nothing. The only money I paid after I met Barrister Harry was just $150 for the delivery charges, take note of that.

( NOTE: TELLING YOU TO PAY FOR ANY DELIVERY OR COURIER CHARGE, THAT IS ALL NOTHING BUT LIES, I REPEAT THE ONLY MONEY YOU WILL HAVE TO PAY AND WHICH I ALSO PAID IS $150 FOR THE DELIVERY CHARGES AS IMPOSED BY THE GOVERNMENT AND COURIER AGENCY ON YOUR PACKAGE CONTAINING YOUR CERTIFIED BANK DRAFT CHEQUE WHICH WILL BE REACHING YOU THROUGH THE GLOBAL REGULAR MAIL SERVICE. )

Once again stop contacting those people, I will advise you to contact Barrister Harry Nelson  so that he can help you to Deliver your fund instead of dealing with those liars that will be turning you around asking for different kind of money to complete your transaction.

Thank You and Remain Blessed.

Mrs. Betty Rawlings

On Literary Agents and Boundaries

 

Back when I first started sending out manuscripts a few decades ago, I relied on books like Writer’s Market and Jeff Herman’s Writer’s Guide to Book Editor’s, Publishers and Literary Agents.  The internet has, of course, increasing supplanted these books, and today researching agents means following their Twitter accounts and blogs and this Brave New World has led to a new problem: squishy boundaries between agents and writers.

When I inserted "squishy boundary" into Google image search, this picture came up.  If it were a literary agent that loved my novel and wanted to represent it, I'd probably be okay with that.

When I inserted “squishy boundary” into Google image search, this picture came up. If it were a literary agent that loved my novel, The Price We Paid, and wanted to represent it, I’d probably be okay with that.

Back when connections with agents were primarily made through the postal service,  the lives of agents were more opaque to writers.  Now, writers get a much more intimate glimpse into agents’ lives and thought processes, especially when they follow agents’ Twitter accounts.  And, I have found, that I start liking certain agents and relating to them as people, quite apart from my wanting them to represent my novel (I especially enjoy reading Sarah LaPolla and Jessica Negron’s opinions).

Strike that, I really WANT them to represent my novel because I like them.  I hadn’t realized how many bookish twenty-somethings in New York City loved Buffy the Vampire Slayer, Star Trek and Doctor Who, and care about feminism and racism and oh, so many other things I care about.

And that’s another thing: the age of these agents. In Christian Peacemaker Teams, the human rights organization I have worked for since 1993, I am a veteran activist, accustomed to initiating people their age into the work or putting some of the problems with which they are struggling into historical perspective.  I am the chief writer in CPT, the one who has written two histories, the one who can put out a breaking news release fast, or add a little literary flair to bland reporting.  I edit all the releases coming in from our field projects in the West Bank, Iraqi Kurdistan, Colombia and Aboriginal communities and post them on our website.  I help new writers write better, and enjoy the challenge of preserving the voice of CPTers for whom English is a second or third language as I change what they have written into Standard English.  I am, in a word, competent.

But with the agents, I am a supplicant, someone who has never had a novel conventionally published, and who has never gone through the standard MFA/writing conference literary mills.  I am old enough to be their mother, but they pretty much have all the power when I send them my queries, asking them to consider representing my novel(s).

So it’s kind of a weird relationship, especially with the agents whom I have come to like based on their tweets and blogs.  I have these feelings of kinship with or even maternal fondness for them based on the background research I’ve done and my age on the one handright hand AND I am an unagented fiction writer who desperately wants them to love my novels on the other.

I suppose it keeps me humble.

 

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NEW TWITTER ACCOUNT

And speaking of Twitter and not having an agent, in September, I wrote about entering Brenda Drake’s Pitch Madness Contest and finding that I was better at inventing fake pitches than real pitches.  Like this website, my @KathleenKern Twitter account is a mixture of my author stuff and my human rights stuff.  Fake Novel Pitches (@FakeNovelPitch) is devoted exclusively to fake novel pitches, such as the following:

  1. #YAParanormal genre: Brittany must choose between a mucus-sucking vampire and a werebeagle. “Umm,” she thinks, “why?”

  2. #Mystery: Ace Tabby investigates dating service #ObamaCare set up w/ #RobinThicke; Ace is not prepared for the depravity

  3. #MagicalRealism genre: Unicorns and vampires join forces to save NW old growth forest. They are alarmingly successful.

  4. #Thriller: After #Obamacare kills fox, Detective Ace Tabby accepts mission to find out what it said before it died.

  5. #AlternateHistory: Modern retelling of Book of Judges w/gender roles reversed. Who’s cutting up concubines now bitches?

  6. #Mystery genre: When #wombat corpses begin appearing streets of LA, Detective Kate Nguyen thinks it’s really really sad.

  7. #HF genre: Christians terrorized by Roman empire draw comfort from Book of Revelation Yes that’s what it’s really about

  8. #PoliticalThriller genre: After years at Catholic #madrasa, terrorist #PaulCiancia undertakes suicide mission at #LAX.

  9. #CorporateThriller: After #ObamaCare claims to have co-created #Twitter, journalist Ace Tabby must uncover the truth

  10. #PictureBook: Tuxie the Penguin and Shimmy the Naked Molerat decide to switch homes for week. Of course they both die.

  11. #LegalThriller: #ObamaCare assassinating Supreme Court justices to repeal laws of physics. Only Ace Tabby can save them

  12. #YA genre:When Toby learns Maya’s secret he must choose. Will her disability tear them apart? My Gluten-Free Girlfriend

  13. #Thriller: Only Ace Tabby’s heroic dolphins can stop #ObamaCare‘s radioactive sharks from terrorizing U.S. coastlines.

  14. #Memoir genre– Pathos and Fervor: My Life as a Seatbelt Retractor Box Designer and Manufacturer.

  15. #PoliticalThriller genre: Detective Ace Tabby foils #Obamacare plot to kidnap #PopeFrancis and shoot him into space.

  16. #Biography She Made Ego Her Monument: Author Dared to #FF Her Own Spinoff Twitter Acct @fakenovelpitch

  17. #Dystopian genre: Trombones are reserved for the aristocracy. Secret society of peasant trombone players arises.

    I will retweet submissions (at least the ones I like, anyway). Send them to @FakeNovelPitch.  Make sure you begin your pitch with a genre and to leave at least 21 characters, so that it can be retweeted–and thus attributed to you.